MIMLACODE
EIRYS COEDEN GUARDIANS OF THE
follow your heart reach for the stars unlock your dreams
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MATRIX CODE
Shooting stars of Katakana with trails of P1 phosphor green cross the screen. Matching traditional Japanese calligraphy they become falling stars. Slowed they resemble white tears of rain [Eirys], creating a melancholy forest of green [Coeden], where Mriga and her starry friends dwell.
Long before stone circles there were glades in ancient forests called ley's, the sun delivered the time of day, the stars the night and the surrounding ring of trees the changing seasons. The tears of rain are white trunks of beithe one of thirteen different species of trees surrounding each ley, with their own code and calendar. Frequented by Creatures long before the Longlegs arrived, these ley's were connected to others by ley or song lines. The stars and planets bring rain, life and colour to the Eirys Coeden - guardians of the creature's mimlacode of ethics and mirror to the human's digital matrixcode. Humans and creatures must work together if we are to save this rainbow coloured planet we call home.
Matrix code designer
BEATRIX POTTER CODE
Beatrix Potter began her coded journal when she was fifteen and stopped writing at the age of thirty. In it, she wrote her innermost thoughts about art and literature, science and nature, politics and society, and her own hopes and frustrations.
'When I was young I already had the itch to write, without having any material to write about,' she explained to her beloved cousin, Caroline Clark in a letter. 'I used to write long-winded descriptions, hymns (!) and records of conversations in a kind of cipher shorthand.'
It took Leslie Linder 13 years to decode it. In 1966 they were published by Fredrick Warne Ltd. as The Journal of Beatrix Potter 1881-1897, more than 20 years after she passed.
When Beatrix died she gave her entire estate over to the National Trust for humanity to enjoy.
This project continues her legacy and follows the offspring of some of her most cherished characters, as they fight to save what we humans neglect in our fast paced, digitaly manipulated world.
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Production Designer Peter Rabbit movies